Saturday, August 30, 2014

CD Review: Lee Konitz/Dan Tepfer/Michael Janisch/Jeff Williams - First Meeting: Live In London Vol. 1

Lee Konitz/Dan Tepfer/Michael Jansch/Jeff Williams
First Meeting: Live in London Volume 1

Lee Konitz has a fairly limited repertoire for a guy who's been playing music for over half a century. But that doesn't mean his performances are stale or predictable. Much of the time, he skips past the theme of the song and heads straight to the improvisation. Sometimes what he plays walks such a fine line between solo and theme that it could very easily lapse from one into the other. But he never does. Sometimes it's hard to tell exactly what song he's playing, or maybe more accurately, what he's playing off of.

While Konitz might be considered more of a straight-ahead player, there is a great sense of experimentation in what he does. Chestnuts like "Body and Soul" and "Along Together" are tunes that can easily win over a crowd, due to their familiarity. Konitz believes that there are still fresh ideas to mine from them, regardless of how many times he's played them before.

And if you're going to play them with him, don't talk about it. Don't plan ahead. Just get up there and play. That was his directive four years ago when he got onstage in London with his longtime piano co-hort Dan Tepfer, bassist Michael Janisch and drummer Jeff Williams. The four of them had never been onstage together. No matter, they worked to let the music guide them and bring them together. And it did.

It's easy to feel the foundation of some songs, like when Tepfer and Konitz (on one of the three tracks where he plays soprano saxophone) play "Body and Soul" without the rhythm section. "All the Things You Are," has a familiar movement to it, even with Tepfer opting to sit out. "Billie's Bounce" actually begins the album with head intact, and manages to feel extremely loose while maintaining its blues structure.

But when the saxophonist sits out on "Giant Steps" the trio doesn't make it obvious that they're playing the John Coltrane classic. The rhythm gets a little more elastic, with Tepfer's left hand getting wrapped up in conversation with the right. The pianist begins "Stella by Starlight" with a series of quick cascading phrases that actually sound close to Cecil Taylor's earliest work on Jazz Advance. When he moves into the changes, Konitz enters in the upper range of his alto (to the point where it sounds like a soprano) and bends a bit out of pitch. Rather than marring the performance, it adds some rugged feeling to the mood. For nearly 10 minutes the pulse moves along freely but the quartet is clearly in tune with each other. Tracks like these could be used in Before & After tests to stump listeners.

Jeff Williams' approach to his drums recalls Paul Motian's loose-limbed feeling. While a tempo is set, he sounds like he's playing off of it, adding color rather than simply keeping time. Michael Janisch keeps the foundation on most tracks and gets a two-minute solo at the beginning of "Alone Together," which has a dynamic, searching quality that sets the tone for the 14-minute track, never losing energy that whole time.

First Meeting was taken from six sets recorded over a two-night engagement. Apparently there were moments, in addition to these tunes, where the quartet got even more experimental and adventurous. Although it would have been nice to hear those moments in tandem with the more grounded pieces, so to speak, this album's running order sustains energy like a strong set, even as dynamics and instrumentation shift slightly with each one. Hopefully Volume 2 will feature more of the outward moments from these performances.

In some ways, this group sounds like they're getting to know each other for the first time as they play, testing the waters as they go. But the fact that they can strike up a non-verbal kinship and develop deep discussions are qualities that speak to the power of these players. If it sounds noodly and aimless, you're not listening closely.

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